And with all the progress I’ve made, and all the songs I demo, it still amazes me how seldom I actually send them songs. Going by statistics alone, standing out in that stack of songs is extremely difficult (especially if you have no connections to give you a recommendation). Do some research and target some smaller, up-and-coming recording artists and bands and pitch your songs to them. And while a big goal like that is an awesome thing to strive for, it may not be the best place to start. If you can provide them songs that work, they’ll love you – no matter who you are (musician, song plugger, publisher, label). Register one song (.mp3 & lyrics) for an Online Pitch session prior to the event at about 10am CST. Dropping off a CD loaded with songs screams “I have no idea what I’m doing and no idea what you need, so I’m just sending everything I’ve got.”  Don’t be that guy. Pitching songs (playing songs for publishers, artists or record label people in hopes of getting them to record or help you get a song recorded), is one of the areas where songwriters make the most mistakes. Of course, in most cases this is a license, so you still own the song. We only play a VERSE and a CHORUS of each song unless the publisher asks to hear more. The world of songwriting can notoriously feel pretty closed off, so I’m going to focus on a few tips that will help you get your foot in the door. In exchange, the publisher takes care of all paperwork, demos the song and uses his or her reputation and contacts to try to get the song recorded. Limit the number of songs you pitch at any one time. Unless someone specifically asks you for more, pitch 1-2 songs at a time. Don’t talk about who you write with or who liked your songs. If you think you have some songs with potential, only send those tracks along. Even though gospel music has come a long way since the 60's and 70's, don't try to publish gospel lyrics with a publisher who specializes in rock-n-roll and rap music. Emmanuel Blimie here. That’s about it. And don’t e-mail them the following day asking what they thought of your songs. Finding Publishers Build a repertoire of music before you pitch. SongTown: A No Guru Zone- Why We Created Something Real For Songwriters, There Are Songs in That Guitar: A Songwriter’s Holiday Reflection. Songwriting Expert Advice: Writing Songs to Pitch by Anika Paris Award-winning songwriter and instructor Anika Paris gets right to the bottom line when it comes to setting your sights and crafting your songs to pitch to publishers and film & television music supervisors. You may also be able to also get referrals from your performing rights representative if your songs are exceptionally good. Trace is currently recording a 25-song album to celebrate his 25th anniversary in country music. Write down the song’s lyrics and the name of each chord in the melody. Don’t hang around yakking. Professionals in the business have heard that said ten thousand times and it has never once been true. Don’t try to guess what they like, show them who you are. Colin pitches a song to a local publisher in town through the NSAI pitch to publisher night. They’re too busy working.”, Thanks for this great advice and Sun Tzu-like way to remember it: Rifle not shotgun. Make sure that your CD is clearly labeled with a few simple elements: your name and contact information (phone and email), the name of the song or songs and possibly — if it’s a song for an artist — the name of the person you’re pitching it to. However I have recieved some very encouraging letters from very popular artists on my writings. Just don’t. They don’t have time to everyone that sends them something they aren’t interested in. In past experience I have been told the cd even though permission was given to submit was trashed and never listen to. Required fields are marked *, 25% off American Songwriter Magazine. AWriter'sParadise now selectively offers song pitching and plugging for tv/film as well as artists. Pitching songs can be tricky, and there is some great advice here. also, SongTown Edge Groups are monthly online songwriter meetings run by top industry publishers. "It's impossible to get a song cut... Over the weekend someone tagged me in a Facebook thread that had over 500 comments debating heatedly over whether or not a lyricist was an actual "songwriter"... Those songs found their way onto pop and country mainstream radio—two formats that, right or wrong, have a rap for simple chords. Pitch your Music to Influencers in Person. I just want to check out the workshops and sit in on the pitch to publisher night and song feedback night but … There are a lot of revenue streams available to songwriters, but today let’s focus on getting your songs cut by recording artists. Co-Author of the top-selling books The Songwriter’s Guide To Mastering Cowriting and  Song Building. Lamon Records, through its Moody Music Group division, publishes music in all styles and genres. [Editors Note: This article was written by Chelsea Ira.]. Even though it worked out in the end in this case, I strongly recommend that you create a 10-12 song album before you pitch to a publisher/label. Let’s think about the numbers here… an extremely popular recording artist might get thousands of song pitches as they’re gearing up to release a new album. Because the job of a real publisher is to get songs cut for their company, not for you. I’m really hoping to get something going soon and so I want to learn all I can before I make a move and you confirmed that’s exactly what I need to do. I let them know I want to be a money maker and not a time taker. The program focuses on helping you get more song placements with top recording artists. You don’t get too many chances to make a good impression before you are put on the “burned bridge” list. The publisher may or may not comment on your song. I’ve been blessed to get away with some interesting chord changes over the course of my songwriting career. If not, that means “no”. They will either "pass" or "take a copy" of your song. Just google to listen to my song or to read my work. The publisher may or may not comment regarding your song. The Melancholy Chord Substitution. When & how to pitch to Labels, Music Publishers + Music Supervisors. Okay, first thing’s first, what does it actually mean to pitch your song to recording artists? Make your presentation business-like. You may send from 1 to 10 of your best songs by regular mail or by e-mail. Don’t hype your songs or defend them, and follow up only once. It has to be picked up by someone who can give the song a wider reach. It’s easy to get discouraged in these kinds of situations, and those little rejections can really slow down your momentum and your confidence. Music Publishing through BMI, ASCAP and SESAC Representing our Music Publishing catalogs: Songs from AmericanaStreet / BMI PraiseStreet Music / BMI Laymond Publishing / BMI Mood… Join the Music Starts Here Community. You’re looking to take the next step and get a manager, label deal and maybe a publisher too. Your chances are much better with newer, less established artists. Proofread and play the song to make sure you have written the chords down correctly. - Musician With A Day Job, Songs: from translating lyrics to writing your own | TRANSTEACH BLOG, The “Instant Melancholy” Chord Substitution, It’s Impossible: More Songwriting Myth Busting. The Songwriter’s Guide To Mastering Cowriting, How Much Do Songwriters Make? I know, you ultimately want to get to publishers and recording artists, but your relationships with songwriters can be a gateway to those connections. Every songwriter dreams of getting their songs cut by some big-time recording artist. Instead, you’re pitching your songs directly to recording artists and publishers should you choose to work with one – almost in more of a B2B (business to business) format. I’ve been dreaming all my life of being a singer/song writer. See what I did right there? If they like what you send, they may ask for more. Generally, publishers are looking for completed songs not just lyrics. I suggest getting professional feedback on a song before you pitch it on the open market. For a competitive fee, we will add your song(s) to our exclusive roster of pitching and use all of our contacts to personally pitch your songs to money making opportunities that we think are a good match for your music. It’s a win-win. Go to your library, find Billboard Magazine, look up songs on the Hot 100, R&B or Country charts in the style of your songs and see the accompanying list of publishers. You want to give them precisely what they need (or think they need). Why? Music supervisors will often narrow down their focus to a handful of publishing companies, agents, and labels that they know and trust. They’re too busy working. In the music industry, relationships are key. Drop it off and move on. EVER. This event is not intended as a publisher evaluation service; although in most cases, the publisher will offer constructive advice. 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