who played with bill monroe

William Smith Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. Monroe characterized the genre as: " Scottish bagpipes and ole-time fiddlin'. and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938.After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. It was with Bill Monroe who he first appeared on records. Over the years, Monroe 's band hosted all of the major bluegrass artists of the '50s and '60s, including Flatt & Scruggs, Reno & Smiley, Vassar Clements, Carter Stanley, and Mac Wiseman. He and "Bluegrass Boys" bass player, Bessie Lee Mauldin, were returning home from a fox hunt north of Nashville. Just down the road, in Rosine cemetery, Bill, his mother and father, and all of his brothers and … Since their debut in 1997, Kentucky Thunder have become one of the most respected bands in contemporary bluegrass. During this period, Bill had some incredible musicians with him. Here’s a great interview with Bobby about the early days with Bill Monroe. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties. His long career with Earl Scruggs and earlier with Bill Monroe made him a legend. Monroe's performing career spanned 60 years as a singer, instrumentalist, composer and bandleader. It took him almost four months to recover and resume touring. He died on September 9, 1996, only four days before his 85th birthday. As a singer, songwriter, bandleader, showman, and instrumentalist, no individual is so closely identified with an American musical style as Bill Monroe, the Father of Bluegrass Music. His well-known song "Blue Moon of Kentucky" has been covered not only by bluegrass but also rock and country artists, most notably Elvis Presley, Paul McCartney, and Patsy Cline. The rise of rock-and-roll and the development of the "Nashville sound" in mainstream country music both represented threats to the viability of bluegrass. As the "father of bluegrass", he was also an inaugural inductee into the International Bluegrass Music Hall of Honor in 1991. Fair Play: Bill Monroe: Instrumental: 1981-02-04: Farewell Blues: Paul Mares, Leon Roppolo, Elmer Schoebel: Instrumental: 1990-07-07: Farewell to Long Hollow: Bill Monroe: Instrumental: Monroe's Farewell to Long Hollow: Farther Along: traditional: Gospel: 1962-11-23: Farther On: Feast Here Tonight: The Prairie Ramblers: Song: 1963-05-14: Have a Feast Here Tonight and Rabbit in the Log: Festival … Crowe and the New South before starting his own band Kentucky Thunder. An actor who starred in The Bill killed himself after becoming depressed at being unable to sell his home, an inquest heard today. Bassists Ernie Newton and Bessie … Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified. Bill Monroe is the father of bluegrass. Charlie Cline played fiddle banjo, guitar and probably bass. Even after the folk revival faded in the mid-1960s, it left a loyal audience for bluegrass music. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. “Bill Monroe: King of BlueGrass Music,” interview with Doug Benson in Ewing, Tom, The Bill Monroe Reader, 2000. He played a key role in folk music revival and revolutionized the music style of that time by mixing elements of old-time string … Carter Stanley joined the Blue Grass Boys as guitarist for a short time in 1951 during a period when the Stanley Brothers had temporarily disbanded.On January 16, 1953 Monroe was critically injured in a two-car wreck. 16 on CMT 40 Greatest Men of Country Music. In 1993, he received the Grammy Lifetime Achievement Award, and he was awarded the National Medal of Arts in 1995. Monroe tended to recruit promising young musicians who served an apprenticeship with him before becoming accomplished artists in their own right. A 1989 live album celebrated his 50th year on the Grand Ole Opry. Artist descriptions on Last.fm are editable by everyone. And his strong rhythm guitar playing helped make bluegrass music the identifiable entity that it is. In 1938, Bill Monroe and his brother Charlie broke up their successful duet act, the Monroe Brothers. Born: 12/20/1922 Died: 11/17/1999 As a Blue Grass Boy: Wilene "Billie" Forrester, nicknamed "Sally Ann" by Bill Monroe, was the first woman to play with the Blue Grass Boys and the only accordion player.She toured with Monroe for several years during World War II. Cash once called Mr. Terry "a dear friend for years" and described him as "one of a kind." Bill Monroe And The Blue Grass Boys* Featuring Del McCoury, Bill Keith, Joe Stuart & Bessie Lee* With Special Guests Bea Lilly & Melissa Monroe: Bill Monroe And The Blue Grass Boys* Featuring Del McCoury, Bill Keith, Joe Stuart & Bessie Lee* With Special Guests Bea Lilly & Melissa Monroe - Live At Mechanics Hall ‎ (HDCD, Album) Acoustic Disc Feel free to contribute! This band recorded a number of bluegrass classics, including "My Little Georgia Rose", "On and On", "Memories of Mother and Dad", and "Uncle Pen", as well as instrumentals such as "Roanoke", "Big Mon", "Stoney Lonesome", "Get Up John" and the mandolin feature "Raw Hide". Uncle Pen has been credited with giving Monroe "a repertoire of tunes that sank into Bill's aurally trained memory and a sense of rhythm that seeped into his bones." He was one of nine children. Bill was of Scottish heritage. On a chilly autumn afternoon in November 1985, the “Father of Bluegrass” returned to his farm in Goodlettsville, Tennessee, after having lunch with his wife, Della, at nearby Mason’s Restaurant. A 1989 live album celebrated his 50th year on the Grand Ole Opry. He recalled that his brothers insisted he … I. n 1938, Bill Monroe and his brother Charlie broke up their successful duet act, the Monroe … He always considered himself the father and caretaker of bluegrass. Some of Monroe's band members who went on to greater prominence include singer/guitarists Clyde Moody, Lester Flatt, Jack Cook, Mac Wiseman, Jimmy Martin, Carter Stanley, Del McCoury, Peter Rowan, Roland White, Roland Dunn and Doug Green; banjo players Earl Scruggs, Don Reno, Sonny Osborne, and Bill Keith; and fiddlers Tommy Magness, Chubby Wise, Vassar Clements, Byron Berline, Kenny Baker, Bobby Hicks, Gordon Terry, and Glen Duncan. Monroe also regularly performed with flat-picking guitar virtuoso Doc Watson.Modern bluegrass singer and mandolin player Ricky Skaggs was influenced by Monroe. Bill Monroe (September 13, 1911 – September 9, 1996) was an American mandolinist who helped create the style of music known as bluegrass. Skaggs was elected to the Country Music Hall of Fame in 2018. In 1939 he joined the Grand Ole Opry and was a member until his death in 1996. Larry Beasley - At least at the Stanley Festival in McClure VA, May 1974, also 1/77 - 6/77?) Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New York, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California. In June, 1985, at Shoney’s Restaurant in Nashville, paid the tab for lunch at the meeting that led to formation of the International Bluegrass Music … A new version of Last.fm is available, to keep everything running smoothly, please reload the site. Monroe recorded two albums of duets in the 1980s; the first featured collaborations with country stars such as Emmylou Harris, Waylon Jennings, and the Oak Ridge Boys, while the second paired him with other prominent bluegrass musicians. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. He recalled that his brothers insisted he should remove four of the mandolin's eight strings so he would not play too loudly.Monroe's mother died when he was ten, followed by his father six years later. Skaggs was only six years old when he first got to perform on stage with Monroe and his band. In the meantime Charlie Cline and Jimmy Martin kept the band together.By the late 1950s, however, Monroe's commercial fortunes had begun to slip. Bill Monroe, byname of William Smith Monroe, (born Sept. 13, 1911, Rosine, Ky., U.S.—died Sept. 9, 1996, Springfield, near Nashville, Tenn.), American singer, songwriter, and mandolin player who invented the bluegrass style of country music.. Though the lineup of the Blue Grass Boys changed over the years, Monroe always remained devoted to bluegrass in its purest form. William Smith Monroe, famous as Bill Monroe, was an American musician who created a sub-genre of Country music known as the ‘Bluegrass music’ which gained much support and love in urban areas already flooded with the country music, encountering occasional pop tides. He would often say of new bands that did not perform to his standards, "That ain't no part of nothin'." Bluegrass was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. BOBBY HICKS From the “banjo State” of North Carolina, Hicks was with Bill Monroe from 1954-57. They were playing Bill Monroe’s music. Rinzler was also responsible for a lengthy profile and interview in the influential folk music magazine Sing Out! Maybe the song they were playing came from the repertoire of the Grateful Dead. The singers or lead … Another important early musical … For more than half a century, being a In this period, Akeman had additional gigs, teaming up with Willie Egbert Westbrook as "String Beans and Cousin Wilbur," a comedy duo that worked on the same bills with Monroe's band. Bobby Osborne tells his Bill Monroe #mandolin pickup story when he played at the Ryman Auditorium for Glen Duncan #bluegrassmusic #bluegrass One thing we’re blessed to have at #monroemandolincamp is the stories from folks who knew and played with #billmonroe personally. Even those who question the scope of bluegrass refer to Monroe as a "musical giant" and recognize that "there would be no bluegrass without Bill Monroe.". Travelers from around the world regularly visit the Homeplace to learn about Bill Monroe’s early life and family. It's blues and jazz, and it has a high lonesome sound." Pseudonyms used by Monroe as a composer:Joe Ahr; Rupert Jones; Wilbur Jones; Albert Price; James B. Smith; James W. Smith. In 1938, Bill formed his own band, the Blue Grass Boys (named after his home state of Kentucky.) Wilene "Sally Ann" Forrester (accordion - 1943-3/1946) Publicity photo circa 1944. He also played for Emmylou Harris and J.D. [1] [2] Contents He was so influential: I think he's probably the only musician that had a whole style of music named after his band". Find album reviews, stream songs, credits and award information for Bluegrass 1950-1958 - Bill Monroe on AllMusic ... are the musicians who played with Monroe during those very fertile and adventurous years. In 1949, after signing with Decca Records, Monroe quickly regrouped, entering the "golden age" of his career with what many consider the classic "high lonesome" version of the Blue Grass Boys, featuring the lead vocals and rhythm guitar of Jimmy Martin, the banjo of Rudy Lyle (replacing Don Reno), and fiddlers such as Merle "Red" Taylor, Charlie Cline, Bobby Hicks and Vassar Clements. Bill Monroe was made an honorary Kentucky colonel in 1966. In October 1939, he successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". That same year Bill formed his own band, the Blue Grass Boys. These typically occur in turnarounds between verses. Lester Flatt was born near Sparta, Tennessee, June 19, 1914. For more than half a century, being a Blue Grass Boy was the crowning achievement of many musicians’ careers; for others, a stepping stone to establishing their own bands. Inside are cherished family belongings, early 20th century-vintage furnishings, and rare photographs of Bill Monroe and two brothers who also played music professionally, Birch Monroe and Charlie Monroe. Beginning with his Blue Grass Boys in the '40s, Monroe defined a hard-edged style of country that emphasized instrumental virtuosity, close vocal harmonies, and a fast, driving tempo. Bill Monroe. In 2003, CMT had Bill Monroe ranked No. One such performance includes Alison Brown playing Earl Scruggs’s 1930 Gibson RB-Granada banjo, Ricky Skaggs playing Bill Monroe’s 1923 Gibson F-5 mandolin, and Marty Stuart playing Lester Flatt’s 1950 Martin D-28 guitar. The guitarist has little opportunity for inserting much lead playing into Bluegrass songs when playing rhythm, but there are places where there are opportunities for short licks. Maybe the mandolin player was influenced more by Sam Bush. Below is a list of Monroe’s Blue Grass Boys who played with the band throughout the decades, men who proudly called themselves a “Blue Grass Boy.”. He stated, "I think Bill Monroe's importance to American music is as important as someone like Robert Johnson was to blues, or Louis Armstrong. Let us know what you think of the Last.fm website. Bill Monroe had a hard time keeping musicians in his in band for very long. Jimmie Rodgers, Bob Wills, Hank Williams Sr., and Johnny Cash are the only other performers honored in all three. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow. ... (Bill played shortstop) Many of his songs were autobiographical (“Letter from My Darling,” “Little Georgia Rose,” “Uncle Pen,” etc.) He is often referred to as The Father of Bluegrass. Click for full version. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. While still a mainstay on the Grand Ole Opry, Monroe found diminishing success on the singles charts, and struggled to keep his band together in the face of declining demand for live performances. Guitarists included none other than Jimmy Martin from 1950-1954, then Carter Stanley (briefly) before Eddie Mayfield, Jackie Phelps, and Doug Kershaw signed on. In retrospect, this lineup of the Blue Grass Boys has been dubbed the "Original Bluegrass Band", as Monroe's music finally included all the elements that characterize the genre, including breakneck tempos, sophisticated vocal harmony arrangements, and impressive instrumental proficiency demonstrated in solos or "breaks" on the mandolin, banjo, and fiddle. Monroe suffered a stroke in April 1996, effectively ending his touring and playing career. Bill Monroe had seen a lot of troubles in his days, but nothing could have prepared him for this. William Smith Monroe (1911-1996) The youngest of eight children, Bill Monroe was born near Rosine, Kentucky, on September 13, 1911. Several gospel-themed numbers are credited to the "Blue Grass Quartet", which featured four-part vocal arrangements accompanied solely by mandolin and guitar – Monroe's usual practice when performing "sacred" songs.Both Flatt and Scruggs left Monroe's band in early 1948, soon forming their own group, the Foggy Mountain Boys, which met with notable commercial success in the 1950s and 1960s with such hits as "Foggy Mountain Breakdown", "Cabin on the Hill", and "The Ballad of Jed Clampett". Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure.The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. He also played on one recording session as a Blue Grass Boy, laying down eight tracks in February 1945. It's origin is attributed to the great Lester Flatt, who played with Bill Monroe and later with his long time friend Earl Scruggs in the Foggy Mountain Boys. Monroe's performing career spanned 60 years as a singer, instrumentalist, composer and bandleader. Biography. Leave feedback. Monroe recorded two albums of duets in the 1980s; the first featured collaborations with country stars such as Emmylou Harris, Waylon Jennings, and the Oak Ridge Boys, while the second paired him with other prominent bluegrass musicians. When he entered his home, he … The genre takes its name from his band, the "Blue Grass Boys", named for Monroe's home state of Kentucky. The NPR 100 The Story Of 'Foggy Mountain Breakdown' Scruggs played in Bill Monroe 's Blue Grass Boys band, and later led Flatt & Scruggs with guitarist Lester Flatt. Monroe, who had suffered injuries to his back, left arm and nose, was rushed to General Hospital in Nashville. On April 7, 1990, Monroe performed for Farm Aid IV in Indianapolis, Indiana along with Willie Nelson, John Mellencamp, Neil Young and with many other artists. I’m not sure how you follow that. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. that first publicly referred to Monroe as the "father" of bluegrass. More than 150 musicians played in the Blue Grass Boys over the nearly 60 years of Monroe's performing career. In 1939 he joined the Grand Ole Opry and was a member until his death in 1996. Bobby Hicks mainly played fiddle but also played banjo as well as bass. Let us know what you think of the Last.fm website. Bill Monroe and the Blue Grass Boys lasted 58 years and saw more than 150 different musicians pass through the band. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit. A key development occurred in Monroe's music with the addition of North Carolina banjo prodigy Earl Scruggs to the Blue Grass Boys in December 1945. He invented the style, invented the name, and for the great majority of the 20th century, embodied the art form. Sure, the banjo player was playing in a style popularized by Earl Scruggs. The annual Bill Monroe Bean Blossom Bluegrass Festival is now the world's oldest continuously running annual bluegrass festival.Monroe's compositions during his later period were largely instrumentals, including "Jerusalem Ridge", "Old Dangerfield" (originally spelled Daingerfield after town in East Texas), and "My Last Days on Earth"; he settled into a new role as a musical patriarch who continued to influence younger generations of musicians. Creative Commons Attribution-ShareAlike License. All user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. Kenneth Clayton Baker (June 26, 1926 – July 8, 2011) was an American fiddle player best known for his 25-year tenure with Bill Monroe and his group The Blue Grass Boys. Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. Most importantly, while Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942, Akeman played the instrument in a relatively primitive style and was rarely featured in instrumental solos. The song and video was “Country Boy,” the title track of Skaggs’ 1984 album. Wayne Shrubsall, Nov 1, 1974 at the First (and last) Bill Monroe Arizona Bluegrass Festival in Payson Arizona. Monroe, Haggard, Cash, Young He played with Bill Monroe, Merle Haggard, Johnny Cash and Faron Young. Monroe's fortunes began to improve during the "folk revival" of the early 1960s. He was in the first of the ‘triple fiddle” line-ups, though when Monroe realised that Hicks could play perfect double stops, one of the other fiddlers was … Artists that claimed to be influenced by or to be playing the bluegrass genre were often bullied by Bill Monroe. Scruggs joined a highly accomplished group that included singer/guitarist Lester Flatt, and would soon include fiddler Chubby Wise, and bassist Howard Watts, who often performed under the name "Cedric Rainwater". David Dougherty - filled in and played banjo for Bill Monroe on Johnny Cash's TV show in December in 1972. “Bill Monroe Mandolin Vandalized” was the headline in the country music community. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. On that album, Monroe recorded a number of traditional fiddle tunes he had often heard performed by Vandiver. Monroe gave his blessing to Presley's rock-and-roll cover of the song, originally a slow ballad in waltz time, and in fact re-recorded it himself with a faster arrangement after Presley's version became a hit. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. Bluegrass festivals became common, with fans often traveling long distances to see a number of different acts over several days of performances.In 1967 Monroe himself founded an annual bluegrass festival at Bean Blossom in southern Indiana, a park he had purchased in 1951, which routinely attracted a crowd of thousands; a double LP from the festival featuring Monroe, Jimmy Martin, Lester Flatt, and Jim and Jesse was released in 1973. Bill was of Scottish and English heritage. He was inducted into the Country Music Hall of Fame in 1970, the Nashville Songwriters Hall of Fame in 1971, and the Rock and Roll Hall of Fame (as an "early influence") in 1997. Bill had wanted "Old Hickory" to become one of the original members of his "Blue Grass Boys", however William Hardin had to decline. This experience inspired one of Monroe's most famous compositions, "Uncle Pen", recorded in 1950, and the 1972 album, Bill Monroe's Uncle Pen. The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks.While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin. It's Methodist and Holiness and Baptist. They scored an immediate hit single with the gospel song "What Would You Give In Exchange For Your Soul?" Scruggs played the instrument with a distinctive three-finger picking style that immediately caused a sensation among Opry audiences. Monroe also kept a hectic touring schedule. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill was resigned to playing the less desirable mandolin. The last-named was recorded by Elvis Presley in 1954, appearing as the B-side of his first single for Sun Records. RCA Victor signed the Monroe Brothers to a recording contract in 1936. Birch Monroe and Larry Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations— first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Iowa, Nebraska, South Carolina and North Carolina 1934 to 1936. Monroe is the only actor in The Bill whose character and actor are both dead. ... During World War II he added the banjo, first played by David “Stringbean” Akeman, and experimented briefly with the accordion and harmonica, which complemented the basic mandolin-guitar-fiddle-bass combination he … Monroe was killed in the station fire in 2002 and in 2012 Colin Tarrant tragically committed suicide. On highway 31-W, near White House, their car was struck by a drunken driver. Bill Monroe and his Bluegrass Boys on Johnny Cash TV Show performing "Blue Moon of Kentucky" As his brothers and sisters had moved away, after bouncing among uncles and aunts, Monroe settled in with his disabled uncle Pendleton Vandiver, often accompanying him when Vandiver played the fiddle at dances. 'S pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical to! In 2003, CMT had Bill Monroe his band s a great interview with about! 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